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Edith Rewa | Launch Party

 

Thankyou everyone who coming along last night and made the launch of Edith Rewa's 'Field Trip' collection a cracking success. We took some photos of the party so you can feel the fun vibe even if you weren't there.

The work looks absolutely beautiful and is still on display until Saturday 1 April | 12noon.

Edith's scarves and prints from the collection are now available to purchase online or in-store.

 

 

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Maker of the Month - Edith Rewa

The lovely Edith Rewa is launching her new collection Field Trip at the end of this month. We are hosting the Melbourne launch party and we couldn't be more chuffed. You are invited to join us for a celebration drink here at Guild of Objects and be the first to see Edith's highly detailed Australian botanical illustrations jump of the page and on to her silk scarves.

Thursday 30 March | 5pm - 8pm

This month we interviewed Edith about her practice and her new collection.

Can you please tell us a little about yourself and your craft?

My name is Edith and I like plants!

I am a Textile designer and Illustrator, stirred by all things botanical and Australian.

I currently live in Blackheath in the Blue Mountains were I spend most of my days drawing natives, working on my label and doing client based freelance work. Bush walks, swims, bike rides and coffee intersperse work as well as trips to the big smoke or interstate to keep me sane from a solo work space!

How did you first get started as an illustrator and textile designer?

My first real love of illustrations and textiles started in high school where a warm and wonderful teacher introduced me to printmaking and more aptly, screen printing- the most satisfying process to combine the both. I stumbled across the Textile Design degree at RMIT almost by accident and have felt pretty lucky to be learning and fumbling my way into a career in it from there on! I started off in a commercial design studio in Sydney before migrating to full time freelance life in Blackheath in The Blue Mountains with a whole lot of drawing along the way.

Can you give us some insight into your creative process and where you draw inspiration from?

My inspiration is almost always centered around place. Landscape and observations and learnings of the flora and fauna within. Bush walks and travel keep my mind and drawing hand pretty darn excited. There is a reoccurring urge to share and showcase native specimens that might not otherwise be overly noticed or geographically possible in our day to day lives!

What does your studio look like?

It is usually always a bit of a muddle of piles of books, plants in varying states of decay, sprawled pens and half finished drawings. There will reliably be a pile of scribbled ‘To Do’ lists lying around, a cordial soda water and sweet treat. My studio is very much a working reflection of the project I am working on at the current time. I like to use my walls as giant mood board and gallery space to help me jot out ideas or keep my mind on track.

 

Any advice or words of wisdom for other makers out there?

I am going to cheat and share some words from John Olsen that stuck with me from his recent exhibition (You Beaut Country)… 

 ‘’Stay with your dream and learn to play’’  

We are really excited about your upcoming launch at Guild, can you tell us a bit about your new collection and how it came together?

I can’t wait to share it with you all! It has been a long one in the making as I have been travelling about Australia and drawing and learning about places and plants in between other work over last year.

Here is a little project snippet…

Field Trip exhibits a world I found to be alive and erupting with colour, pattern and incredible plant peculiarities. I learned about desert places previously unknown to me, excitedly illustrating my way into the landscape through the flora and fauna.
These designs push the Eremeophila neglectas into the spotlight, challenging the idea that ‘there is nothing out there’, wanting our arid land plants to be noticed and applauded. The silk scarves exhibit a landscape I explored in a series of trips into arid Australia. Fragments only, but I hope they take you there.

 

If you could do anything tomorrow what would you do?

Roadtrip! I just got my licence last week (finally!) so I am brimming with excitement to adventure to all the places a bike and train can’t get me!

If you could teach your kids one thing, what would it be?

Always make time to get to know the plants around you. They will teach you to stop and look and learn and breathe.

What are you reading at the moment?

The Blue Plateau by Mark Tredinnick (It’s beautiful)

If we rummaged through your grocery bag, what would we find?

Mostly sweet things

The first thing that pops into your mind when we mention the word:

Breakfast: eggs

Weekends: play

People: pals

Pause: I wish

Sound: The yellow tailed black cockies feasting and flying about our street at the moment. They have such a prehistoric screech!

Smell: sensitive

Place: learning

Texture: linen

Ritual: post office

Colour: brown, my favourite.

Whats one thing you cant live without at the moment?

A to do list

What are your words of wisdom?

 It is ok to say no!

Photos by Georgie Blackie and Nick McKinlay.

Find Edith Rewa on Instagram and in the Guild Shop.

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Guild Map Launch // Social Snaps

So you may have heard we collaborated with local illustrator Ashley Ronning on a map – specifically the Guild Of Objects' Guild to North Melbourne! Naturally, we had a little soiree to celebrate. Thanks so much to everyone who came along – here's some piccies of your faces. 

 



Photos by Linsey Rendell. 

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Maker of the Month – Ashley Ronning

For our first Maker of the Month for 2016, we introduce you to illustrator and zine maker extraordinaire Ashley Ronning. From her studio in Brunswick, Ashley sketches plants, ponders the cosmos, and explores anxiety with illustration. Her risograph creations are often dark and twisty, but also colourful and comical. She's also the maker behind our very own Guide to North Melbourne map! You can now pick up a copy in store, before taking it out for a test run in our wonderful neighbourhood.




Can you please tell us a little about yourself and your craft?

I live in a quiet corner of Brunswick in a 1950s-built, 1970s-renovated house with some good friends. I work in my studio just a short bike ride away from home, where I make my illustrations, zines and other projects. I grew up in Canberra and don’t go back to visit often enough! It was a great place to be as a kid, but I needed a change when I was old enough to flee the nest.

How did you first get started in illustration?

I was planning to stay in Canberra for university to study politics, but realised that it was absolutely not for me. Shillington College in Melbourne had the perfect graphic design course, and it wasn’t until after Shillington that I realised illustration was a possibility as a career! As for zines, I first saw them at small bookshops in Canberra and zine queen Vanessa Berry came to town to put on a zine workshop. She had me hooked!

 


What has the journey been like since those early days?

I felt a huge change when I met other illustrators and makers in Melbourne. It’s so amazing to have a go-to-gang for advice and support. I suppose my practice made a huge leap last year when I switched to full time. It has its stressful moments, but I wouldn’t change it for anything. 

Can you give us some insight into your creative process?

I get ideas from exhibitions, books, music or conversations, and often sketch out some ideas until I fall in love with something that I want to make into a drawing, print or zine. When I’m ready to begin the final piece, I make a rough sketch, refine it a little, and then ink over the top. If I’m risographing it, I’ll usually just draw the line work and then add layers of colour in photoshop, before churning it through the riso.




What does a typical day look like for you?

I usually wake up, sneak around the room in the dark so I don’t wake up the boyf, feed Fritz the cat, have some toast, hop on my bike to the studio, put on a pot of tea and fire up the computer. If I’m not feeling very inspired, I’ll organise online orders or answer emails, then I’ll usually do drawing in the middle of the day, and then risograph printing at the end of the day if I have printing to do. I do so many different projects so every day is different. Afterwards I’ll either head home to hang out with Fritz or go to an exhibition or gig.

What do you draw inspiration from? 

For over a year now I’ve been really inspired by space – I find it endlessly fascinating. I’ve also drawn a lot of inspiration from my trip to Japan last year, friends’ art, exhibitions, sci-fi books and films, and nature.




What are you reading at the moment? 

Men Like Gods by H.G. Wells. 

If we rummaged through your grocery bag, what would we find?

Pasta, pesto, zooper doopers, bread, broccoli, pumpkin. 

Can you tell us the first thing that pops into your mind when we mention the word … 

Weekends ... Halloumi for breakfast
People ... Sometimes
Pause ... Record player
Sound ... B-52s
Smell ... Tea
Place ... Tokyo
Texture ... Corduroy
Ritual ... Risograph
Colour ... Rainbow 

 

What's one thing you can't live without at the moment? 

Halloumi.

What are your words of wisdom?

Worry less about what others think and just keep making what you love! Eventually everyone else will realise you rule.

 

Find Ashley on Instagram, Twitterher website, and the Guild shop

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